Direction & Production

The concept and story work that has to be right before a camera ever rolls.
The calls that actually get made in the room — performance, coverage, pace — not just a shot list on paper.
The planning and coordination that keep a shoot running on the day, not just on the schedule.
Pre-production decides what's actually being made and why, before anyone is booked. On the day, direction means the plan meets what's really happening and someone still has to call it. What gets kept in the edit is what actually serves the piece, not what took the longest to shoot.